Collaborating for Diversity and School Library Programming

Posted on September 13, 2021 by Judi Moreillon

Chapter 2: Diversity by Julie Stivers, Stephanie Powell,
and Nancy Jo Lambert|
Blog post by Judi Moreillon

Collaborating with Others to Build the Collection
The goal of building and maintaining a culturally responsive school library collection is for diverse resources to be used for learning by students, educators, administrators, and families. School librarians who have diligently developed such a collection must collaborate with others in order to ensure that the library’s resources are integrated into the reading and learning lives of students and broaden the perspectives in the classroom curriculum. Collaborating with students and other educators is essential for the librarian and the library to reach their capacity to transform learning and teaching.

In Chapter 2, Stephanie Powell describes how she and her library partner work with students and classroom teachers. When a group of students approached the library staff to support them in starting a digital literacy magazine focused on students’ responses to the pandemic, the librarians and library were reaffirmed as students’ allies and further built relationships. The library staff also attends educators’ planning meetings and Professional Learning Team meetings to discern and solicit students’ and educators’ library collection development needs. Stephanie notes, these activities give “librarians the opportunity to be visible in and supportive of the needs of our students” (35).

Building Inclusive Programming
Julie Stivers charges school librarians to be literacy leaders who work to diversify the literature canon in schools.

“Diverse library programming cannot exist in a school where classroom texts for language arts are overwhelmingly White” (26).

Collaborating with classroom teachers and encouraging them to incorporate books and resources written by underrepresented groups and diverse perspectives is a leadership responsibility of school librarians.

Advocating for all students with their diverse identity markers will require commitment and perseverance. It will require critical self-examination and honest assessments of one’s own role and the role of the library program in breaking through the status quo. This charge requires courage on the part of school librarians.

Diversity Reflected in Library Programming: Vignette by Gabriel Graña
Gabriel Graña, middle school librarian at RD & Euzelle Smith Middle School in Chapel Hill, North Carolina, contributed one of the two vignettes in Chapter 2 titled “Can’t Stop, Won’t Stop—Building and Promoting an Inclusive Collection” (32-33). Gabriel notes that “representation is a verb” (32), meaning librarians must be proactive in seeking out and representing the stories of all students, including those who do not frequent the library space. Thinking about and taking action for the voices that are unheard is powerful.

One way Gabriel accomplishes this is through talking with all students and encouraging them to make suggestions for library purchases. He also critically examines books under consideration for their attention to multiple identity markers. He gives the example of Kacen Callender’s King and the Dragonflies (Scholastic 2020), a fantasy novel that is a Black Queer story, as the kind of book he remains alert to reading, purchasing, and promoting.

Shared ownership in the library space, collection, and program is key. Gabriel writes, “I’ve been in my library for six years. As the years have progressed, I’ve seen more self-selected, self-formed study groups, organic clubs of students of color who just want to come in and celebrate their interests” (32).

Gabriel recommends following other librarians on social media to stay up to date on the latest in literature and library programming. He uses Instagram to reach out to students to promote books and share his own reading lifestyle. At the time the book went to press, he was organizing a library initiative to involve students and educators to join him in #30SecondBookTalks that would be shared via social media, the library website, and promoted via in-person classes.

Curriculum and Community
As the co-authors note, “For our students, seeing themselves in the library is not enough—they need to see their rich and whole selves in the curriculum and school community, too” (34). Readers will find many additional ideas for diversity in collection development and library programming in the Diversity chapter in Core Values in School Librarianship: Responding with Commitment and Courage.

Reflection Question
“What steps can you take to affirm diversity beyond the library and reflect on how you can influence stakeholders—and especially other educators—throughout your school?” (34).

Work Cited

Stivers, Julie, Stephanie Powell, and Nancy Jo Lambert. 2021. “Diversity.” In Core Values in School Librarianship: Responding with Commitment and Courage, ed. Judi Moreillon, 19-36. Santa Barbara, CA: Libraries Unlimited.

Diversity in a Culturally Responsive School Library Collection

Posted on September 7, 2021 by Judi Moreillon

Chapter by Julie Stivers, Stephanie Powell, and Nancy Jo Lambert|
Blog post by Judi Moreillon

Chapter 2: Diversity Co-authors
Since I, Judi Moreillon, have the privilege of writing this post, I am beginning by introducing Core Values in School Librarianship readers to the co-authors of the “Diversity” chapter.

Julie Stivers, MLIS, (she/her) is the librarian at Mount Vernon Middle, an alternative public school in Raleigh, North Carolina. As a 2018 ALA Emerging Leader, Julie helped develop AASL’s Defending Intellectual Freedom: LGBTQ+ Materials in School Libraries and she is the author/editor of Include (ALA, 2021). Julie’s research and practical interests include culturally sustaining pedagogy, building inclusive library spaces, and exploring the power of manga and anime with her students. She connects on Twitter at @BespokeLib.

Stephanie Powell, MEITE, is a librarian at Green Level High School in Wake County, North Carolina. A National Board-Certified Teacher and lifelong learner, she has been a classroom teacher and now librarian for nearly 28 years. She earned a Master’s in Instructional Technology from UNC-Chapel Hill and her Master’s in Library and Information Science from UNC-Greensboro. Stephanie is invested in promoting equity and being an advocate for underrepresented voices through library services. Connect with Stephanie on Twitter @spowel15.

Nancy Jo Lambert, MLS, is a Google Certified Trainer with friEdtechnology and high school teacher-librarian at Reedy High School in Frisco, Texas. She advocates for libraries by telling the story of the learning happening in her library. Named TCEA Library Media Specialist of the Year, Nancy Jo was AASL Social Media Superstar Curriculum Champion in 2019. She is a cisgender, white, bisexual educator and co-founder of #TeachPride and EduPrideAlliance. Connect with her on Twitter @NancyJoLambert and on her websites: reedylibrary.com and nancyjolambert.com.

Julie Stivers, Stephanie Powell, and Nancy Jo Lambert 2021, 19.

Culturally Responsive Educators
The co-authors make many references to culturally responsive collection development, maintenance, promotion, and teaching throughout this chapter. As Stephanie notes, “Through (their) three points of view, the lenses of our varied perspectives allow (them) to better understand how librarianship plays an important role in meeting those who we serve where they are and what they need” (20). Bringing their individual experiences as well as their collective thoughts together in this chapter makes it an especially powerful read.

One point all three co-authors make is that school library collections must reflect the multiple identity markers of school populations as well as reflect the diversity of experience and perspectives across the country and around the globe. As Julie notes: “Even if—especially if—your school population is mostly or solely White, you should build a collection that is racially diverse and not restrict students to a single lens” (21). This can be a particular challenge because our predominantly White and female profession must have self-knowledge and engage in critical reflection that causes school librarians to take action to diversify the library collection and ensure its use to normalize diversity in all of its manifestations.

This challenge also calls on librarians to consider authors from underrepresented groups and texts with diverse characters in books published for youth. As Julie points out, statistics from the Cooperative Children’s Book Center continue to spotlight the fact that the number of books featuring animals and inanimate objects are more commonly published and even exceed the sum of the number of books featuring all underrepresented groups combined. (See the 2019 stats at https://ccbc.education.wisc.edu/the-numbers-are-in-2019-ccbc-diversity-statistics.)

Commitment to Diversity
Readers will find support for their own self-education about various lenses for examining texts. The co-authors cite and describe five frameworks that can help school librarians deepen their knowledge regarding diversity:

Mirrors, Windows, and Sliding Glass Doors—Rudine Sims Bishop
#OwnVoices—Corinne Duyvis
Danger of a Single Voice—Chimananda Adichie
Plot-Driven Adventures across Identities—Malinda Lo
Black Joy—Many Writers!

The value of auditing the library collection using each of these frameworks is discussed in this chapter.

Diversity Audits
One way librarians’ values are manifest in the library collection is the understanding that the library is not a neutral space; what is included in or excluded from the collection makes a “political” statement. As co-author Nancy Jo notes: “By offering youth a free, public education where they have access to information and all sides of issues, we equip them with the skills they need to navigate learning and to form opinions of their own” (24). In the process, issues related to prejudice, discrimination, and injustice will arise.

In order to build a collection and library program that is relevant to students and that prompts their critical thinking, school librarians can use diversity audits to evaluate the inclusiveness of the collection. This requires librarians to use an equity and diversity lens. Initial audits may focus on aligning the collection with the school’s demographics. Additional analysis of the collection involves searching for gaps related to additional identity markers as well as taking a more global perspective on ideas and information.

Audits are not simple nor are they a one-time exercise. In order to maintain a culturally responsive, inclusive collection, librarians must continuously assess both the fiction and informational texts available to students, classroom teachers, and families. Involving students and other educators in developing, auditing, and maintaining the collection not only builds a stronger more useful collection, it also builds relationships. And relationships are key to a successful school library program that ensures that the collection is used in the service of student learning.

Reflection Questions
“How as your own cultural context influenced the books you’ve read—both within school and personally? How has this shaped your collection development framework as a school librarian?” (34)

Addendum:
Access to Joyce Valenza’s Toolkit: Inclusive Collection Collections and Diversity Audits.

Work Cited

Core Values in School Librarianship: Fall Semester Book Study

Posted on August 16, 2021 by Judi Moreillon

This fall, the Core Values in School Librarianship: Responding with Commitment and Courage (Libraries Unlimited 2021) contributors and I will be sharing two posts for each of the nine chapters in the book. Beginning today with this introduction through the last week of December, blog readers can read recaps of chapters or more thoughts and experiences of chapter co-authors. (As you know, one challenge with a published book is that once it’s off to the printer, it is fixed in a way our learning and practice never are!) You can find the line-up of posts on this blog. I will be adding links to each of the posts as they are published.

Introduction: A Passion for School Librarianship
As the book’s editor, I wrote the introduction. In it I share my motivation for this proposing this book. I know that my own enculturation into and my passion for the core values of school librarianship guided my library practice, my work as an educator of preservice school librarian, and my continued involvement in the profession and advocacy work. Equity, diversity, inclusion, and intellectual freedom combined with the values we share with classroom teachers such as collaboration and literacy as a pathway to success have been at the end of my work/life.

These are indeed rapidly change and challenging times. Grounding our practice in our core values gives us a necessary and needed firm foundation to stay strong as we speak up and out for the benefit of our library stakeholders. The pandemic, Black Lives Matter movement, and backlash from various quarters of society have converged to create a time that is testing our mettle. I truly believe we must act now.

Destabilization
Accelerations in technology, globalization, and climate change result in a “constant state of destabilization” (Friedman 2016, 35) all of which affect the education landscape as well as society as a whole. For example, laws recently passed by some state legislatures that intend to constrain educators’ teaching and students’ learning regarding U.S. history will be tested in practice as well as in courts of law. When librarians are guiding students’ social studies inquiry, we must hold to our values and ensure that learners engage with accurate historical records, think critically about our nation’s past and present, and discuss issues that are relevant to their lives—today and in the future.

In this environment, we are called upon to recommit and hold tight to our values: equity, diversity, inclusion, and intellectual freedom. We may be the only educator in our buildings who holds these core values. As such, we cannot fail to take courageous action when warranted for the benefit of our learning communities.

Co-leading Change
We cannot, however, act alone. While we must embrace ambiguity, stretch our flexibility, and exercise our initiative, we must reach out to others to co-lead change in our schools and districts, state and national associations. We need a tribe to keep us centered in our values. The education profession, of which school librarianship is an integral part, needs a tribe of like-minded dedicated colleagues to move our work forward.

“People don’t care how much you know
until they know how much you care.”
Dr. Jean Feldman

During these challenging times, many educators, school librarians among them, are feeling vulnerable; others are quite understandably afraid. This may be particularly true at this time for those who are making professional decisions that affect their families as well as their students. It is incumbent on us to practice empathy as we co-lead with our administrators and teacher leaders. Empathy is a key tool in our work as we strive to take compassion action.

Choosing Courage Over Comfort
In her book Dare to Lead. Brave Work. Tough Conversations. Whole Hearts (Vermillion 2018) Brené Brown challenges those of us who live our values to speak up about the “hard things.” She describes integrity in this way: “choosing courage over cover; it’s choosing what is right over fun, fast, or easy, and it’s practicing your values not just professing them” (189).

In our book, the contributors offer inspiration, thoughts, and experiences as guides to help you lead through our shared library values in your learning community. We invite you to share and comment on our blog posts and join in via our social posts as well. We look forward to hearing how you are enacting core values in your library this fall and positively influencing the teaching and learning and work of your administrators, colleagues, students, and families.

Reflection Questions
Each chapter in the book concludes with reflection questions. In addition to your personal consideration or to discussions with your near colleagues, we invite you to respond to these questions on this blog or via our other social media posts.

If I were to add such a question to the book’s introduction, this would be it:

How are you expressing empathy for others and practicing self-care
as you launch the 2021-22 academic year?

Additional Resources
Circulating Ideas Podcast by Steve Thomas: Core Values in School Librarianship: Responding with Commitment and Courage Interview with Judi Moreillon (7/13/21)

Core Values in School Librarianship: Collaborating for Social Justice – School Library Connection Webinar (6/28/21)

Taking Action for Equity, Diversity, Inclusion, and Intellectual Freedom in School Libraries at #alaac21 (6/21/21)

Works Cited
Brown, Brené. 2018. Dare to Lead. Brave Work. Tough Conversations. Whole Hearts. London: Vermillion.

Friedman, Thomas. 2016. Thank You for Being Late: An Optimist’s Guide to Thriving in an Age of Acceleration. New York: Farrar, Straus and Giroux.

Moreillon, Judi. Ed. 2021. Core Values in School Librarianship: Responding with Commitment and Courage. Santa Barbara, CA: Libraries Unlimited.

Core Values in School Librarianship Responding with Commitment and Courage

Posted on May 17, 2021 by Judi Moreillon

I am a card-carrying collaborator but before Core Values in School Librarianship: Responding with Commitment and Courage (Libraries Unlimited 2021) the professional books I’ve authored have been solo projects. Working with 17! co-contributors to Core Values has been a once-in-a-lifetime learning experience for me and now we all get to share in the celebration.

After an 18-month journey, our book is published and available for purchase from ABC-CLIO!

Core Values
When proposing this book, I suggested four core values for school librarianship: equity, diversity, inclusion, and intellectual freedom. From my perspective, this is an interdependent set of values and a combination of values that are unique to school librarians. While some of our non-school librarian colleagues may share two or more of these values, I proposed that school librarians have the commitment and responsibility to ensure all four of these values are fully accessible and functioning in our spheres of influence.

Indeed, we share other values with our classroom teacher and administrator colleagues such as literacy and education as a path to lifelong learning, innovation, and collaboration. Yet, these four—equity, diversity, inclusion, and intellectual freedom—are the foundation on which school librarian leadership is built.

Editorial Role
As the editor of the book, I had the honor and responsibility of securing an approved book proposal and then soliciting contributors for specific chapters. I am so pleased that the chapter co-authors said “yes!” They remained committed to this work through one of the most difficult years any of us has experienced in our professional and in our personal lives. I am grateful for their perseverance and dedication to our book.

Infusing our profession with voices of our present and future generation of school librarian leaders was one of my goals for this book. (The co-authors are not of my generation of school librarianship!) They are diverse in terms of race, ethnicity, and gender identity. The contributors, including those who offered vignettes of practice found in each chapter, live and work in various parts of the country, serve in urban, rural, and suburban schools and in libraries at all three instructional levels. Our hope is that all Core Values in School Librarianship: Responding with Commitment and Courage readers will find themselves and their work reflected in this book.

I wrote the introduction to the book (and the final chapter as well). In the intro, I share my passion for school librarianship and my inspiration and motivation for proposing this project to our initial acquisitions editor Sharon Coatney at ABC-CLIO.

The introduction begins with a one-sentence theme that summarizes the message I hope we clearly convey throughout the book.

Introduction: A Passion for School Librarianship
All school librarians need a firm foundation to provide strength and direction during these rapidly changing and challenging times.
Judi Moreillon

Based on my experience and thirty years of involvement, I can honestly say that our core values are what initially fueled the fire of my passion for school librarianship, have kept me going in times of trouble, and have—without fail—reaffirmed and reignited my commitment to the profession. I believe that our values are the firm foundation we can rely on during times of change and challenge. As a practicing school librarian and as a school librarian educator, I have met many courageous school librarians who have stepped up to ensure that our core values were accessible to all of our library users when others might have shrunk from that responsibility.

Core Values Chapters: First Four Chapters and Contributors
In the first four chapters of the book, the contributors share their understandings of, passion for, and commitment to four core values: equity, diversity, inclusion, and intellectual freedom. The co-authors frame their chapters with one-sentence themes that convey the overarching meaning of each value. They also share how they and their colleagues have enacted these values in their practice of school librarianship.

Chapter 1: Equity
Equitable access is a matter of social justice.
Erika Long and Suzanne Sherman

Chapter 2: Diversity
Diversity in resources and programming is not optional.
Julie Stivers, Stephanie Powell, and Nancy Jo Lambert

Chapter 3: Inclusion
Inclusion means welcoming and affirming the voices of all library stakeholders in a way that shares power.
Meg Boisseau Allison and Peter Patrick Langella

Chapter 4: Intellectual Freedom
Intellectual freedom, including access and choices, privacy and confidentiality, is the right of all library stakeholders.
Suzanne Sannwald and Dan McDowell

Courage Chapters: Chapters 5-8 and Contributors
The co-authors of the courage chapters share how they have enacted the four values in specific contexts: professional relationships, principal-school librarian partnerships, and through specific behaviors—leadership and advocacy. Their one-sentence themes convey connections to the application of our core values in practice.

Chapter 5: Relationships
Relationships are the root of a strong community.
Jennifer Sturge with Stacy Allen and Sandy Walker

Chapter 6: Principal-School Librarian Partnerships
Principals are our most important allies.
M.E. Shenefiel and Kelly Gustafson

Chapter 7: Leadership
Leadership requires confidence and vulnerability.
Pam Harland and Anita Cellucci

Chapter 8: Advocacy
Advocacy involves effective communication and building partnerships.
Kristin Fraga Sierra and TuesD Chambers

Final Chapter
I had the gift of contributing the final chapter to the book. Advocating for collaboration through instructional partnerships is the hill on which I will make my final stand in school librarianship and K-12 education. The four core values must be enacted throughout the learning community if school librarians are to achieve our capacity to lead and positively influence every student’s learning. Collaborating with others is the way to co-create the learning environment in which students and the adults who serve them can thrive.

Chapter 9: Collaboration
Collaboration is THE key to co-creating a values-centered culture of deeper learning.
Judi Moreillon

All Chapters
All chapters in the book include two vignettes that spotlight core values and behaviors in action. The co-authors have also included quotes that have inspired them from a wide variety of scholars, practitioners, and writers. Each chapter concludes with questions for reflection.

ALA Annual
The contributors and I are enthusiastic about sharing our work. We will provide many opportunities for you to engage in conversation with us around these core values and their implication for practice beginning at ALA Annual where the co-authors of the first four chapters will offer an on-demand video session #SLCoreValues #alaac21:

“Taking Action for Equity, Diversity, Inclusion, and Intellectual Freedom in School Libraries”

We invite you to join us in promoting and enacting the unique contributions of school librarians to our learning communities!

And, of course, we hope you will read our book, discuss, and share the ideas and examples of practice with colleagues in your PLNs.

Work Cited

Moreillon, Judi. Ed. 2021. Core Values in School Librarianship: Responding with Commitment and Courage. Santa Barbara, CA: Libraries Unlimited.

School Library Month and The Book of Abel

Posted on April 5, 2021 by Judi Moreillon

April is School Library Month. At this time each year, school librarians reach out into our school, local, state, and national communities to show how school libraries matter—to students, educators, families, and communities. School libraries provide access to print and digital books and resources and learning opportunities that invite students into the literacy club, shore up their reading and information literacy skills, and set them on the path to success in school and in life.

I have led and observed many school library programs over the course of my career as a school librarian and school librarian educator. In my experience, there is no such thing as an exemplary school library program without an exemplary state-certified school librarian at the helm.

The greatest asset any library has is a librarian.
R. David Lankes

AND exemplary school librarians are collaborators who find like-minded passionate literacy learning advocates among their administrators, classroom educator colleagues, and families. If one of our essential goals is to lead a culture of reading, then we must form partnerships with others to maximize the impact of our knowledge of literature, curriculum resources, technology tools, and instructional strategies for the benefit of all students.

The greatest assets school librarians have are collaborating colleagues.
Judi Moreillon

With our collaborating colleagues, we can take action to ensure equity, diversity, and inclusion beyond library spaces into classrooms and out into the larger community. We can ensure students’ right to read and their intellectual freedoms of choice and voice. We can create school-based cultures of reading and learning that enrich the lives of all who are privileged to be members.

Literacy Champions
I trust all school librarians have had the experience of working with passionate literacy champions who share their responsibility to create and sustain vibrant cultures of reading. Like you, I am grateful for all educators, from all grade levels and disciplines, who take up this charge alongside us.

Although I didn’t have the pleasure of teaching with her, Daphne Russell is one of those standard bearer classroom teachers who knows that books and reading not only change lives; they also save lives. In April, 2019, I wrote a review of Daphne’s book Read or Die: A Story of Survival and Hope and How a Life Was Saved One Book. In that post, I noted how exemplary school librarians strive to find the “right” book for individual students and support classroom teachers in effective reading motivation and comprehension strategy instruction.

To quote from that post: “If school librarians at any instructional level hope to influence students’ enjoyment of reading, reading proficiency, and successful quest for accurate information, they must create opportunities for individualized reader’s advisory. They must acknowledge the greater influence of the classroom teacher on student learning. They must ‘let’ classroom teachers be the first to bring new books into the classroom to share with students. They must coplan and coteach with classroom teachers and specialists. School librarian leaders must collaborate” (Moreillon 2019).

Sadly, not all outstanding educators like Daphne have experienced school librarians as literacy partners who support the growth and development of individual readers and educators’ literacy-for-all aspirations for their students—non-readers, struggling and striving readers, and avid bookworms alike.

The Book of Abel
Daphne has written a screenplay based on her experiences as a book-pushing, life-changing literacy warrior classroom teacher. The Book of Abel follows a young man who, with the encouragement of his teacher, finds himself and his path forward in life through books.

In the video Daphne produced to promote her film, she includes testimonials from students. I believe many students (and adults) whose lives have been changed or saved through books would provide similar stories—stories that school librarians and classroom teachers could use to make the case for including diverse books in the classroom curriculum (see the 1:11 mark on the video).

At the end of the promotional video, Daphne gives us a sense of how the story will end when she describes how viewers will be moved, perhaps to tears, by the impact of reading on Abel’s life.

Shhhhh
Top secret… spoiler… but no surprise to the school librarians reading this blog post. At the end of the film, Abel will find a home for his reading soul…. in the library.

Please join me and consider contributing to Daphne’s GoFundMe effort to produce and distribute her short film The Book of Abel. (Note: Tuesday, April 6^th is Arizona Giving Day.)

Work Cited

Moreillon, Judi. 2019. “Read or Die: A Book Review and a Call to Action.” School Librarian Leadership (blog), April 29. http://www.schoollibrarianleadership.com/2019/04/29/read-or-die-a-book-review-and-a-call-to-action/

SCBWI-Arizona Showcase and Please Don’t Give Me a Hug! Preview

Posted on March 22, 2021 by Judi Moreillon

I have been a member of the Society of Children’s Book Writers and Illustrators (SCBWI) since my first children’s book was published in 1997. File folders full of rejection letters aside, I have been lucky to have found publishing homes for three additional books during the intervening years. You can read about those on the Children’s Books and Sites Page on my Storytrail website.

This coming Saturday, March 27, I will be joining author Dawn Young, author-illustrator Nate Evans, and illustrator Jim Paillot to participate in a virtual SCBWI-AZ Author Showcase and Q&A.

Thank you to Laura Ellen and Dianne White, SCBWI-Arizona PAL coordinators. The Spotlight Zoom will involve us in introducing ourselves and our books and provide members of the children’s books writing community the opportunity to get answers to their general publishing questions.

Please Don’t Give Me a Hug! and a Spanish edition ¡Por favor, ¡no me abraces! were first published as a donation on the Make Way for Books (MWFB) app. MWFB Arizona is an early literacy nonprofit that provides proven programs, services, and resources to 30,000 young children, parents, and educators throughout southern Arizona each year. Their mission is to give all children the chance to read and succeed.

Check it out: If you are writing for infants, toddlers, preschool children and their families, you should know that MWFB currently has a call for submissions, open until March 31^st.

Thanks to Star Bright Books, my Please Don’t Give Me a Hug! story will be published as a board book, available for distribution at the end of April. MWFB gave me back the rights to the story. In exchange, I am donating a portion of the proceeds from the e-book to MWFB. Win-win-win.

Meeting Star Bright Books publisher Deborah Shine was an amazing coincidence and gift of encouragement for my passion for writing for children. Way back in 2002, I ran into my neighbor and children’s book author and illustrator Ron Himler in the produce section of our grocery store. Ron told me the story behind his newly released picture book Six Is So Much Less than Seven.

I asked him to send me a copy and promised I would review it. Ron loved my review and shared it with his publisher, Deborah Shine, who invited me to review books for Star Bright. After I shared a copy of my first published book with Deborah, she asked if I had others. I recited Read to Me, a poem I has written for then Tucson Public Library’s Project L.I.F.T., Literacy Involves Families Together. The poem, written for the teen parents who participated in that project, fit perfectly with Star Bright’s mission.

The poem became the board book Read to Me, which has since been published in English, Spanish, bilingual Spanish/English, Vietnamese/English, and Haitian Creole/English. The book has sold some 150,000 copies mostly to early childhood and family literacy programs. The first organization to purchase and distribute the book widely was… you guessed it… Make Way for Books.

Note: Star Bright Books publishes books for young children in 25 different languages. All of Star Bright’s bilingual books display the heritage language first on the page followed by English. For the last twenty years, Deborah Shine and Star Bright’s commitment to diversity in language and culture in both text and illustrations is admirable and all too rare among publishers of books for young people.

Working with Deborah Shine and the team at Star Bright Books has been a wonder. I am thrilled to be working with them again to promote Please Don’t Give Me a Hug!

Estelle Corke painted the child-friendly illustrations for the book. As an author who cannot draw, I am especially grateful when the illustrations for the stories I write include diverse characters in terms of race, ethnicity, sex, age, and ability. Thank you, Estelle, and Star Bright!

Although I receive a tremendous sense of accomplishment and satisfaction from publishing professional books for school librarians and classroom teachers, there is a slightly different quality to my feelings about the books for children and families that are published with my name on the cover.

Knowing that a child, parent, older sibling, grandparent, childcare provider, teacher, librarian, and others may at any given moment be reading one of my books to a young person… well, for me, it just doesn’t get much better than that!

I hope you will join us on Saturday, March 27, 2021, and share our love of publishing books for children. The Showcase is free and open to all. If you are able and interested in joining us, go to the online registration form.

Black History and Women’s History All Year Long

Posted on February 22, 2021 by Judi Moreillon

#AASLchat organizers and I are on the same wave length when it comes to celebrating Black History, Women’s History, and all of the “months.” Diversity in resources, teaching, and programming are most effective when diversity is essential to the classroom/library curriculum all year long.

The AASL February chat will be held tonight, 2/22/21, beginning at 7:30 EST. You can read about it in an article by Chelsea Brantley and the AASL School Library Event Promotion Committee on the KQ Blog.

For me, “providing students with equitable access to relevant, engaging, and culturally responsive curriculum, resources, and programming must be essential to our mission” (Moreillon 2021, 150). Coplanning instruction with classroom teachers gives school librarians the opportunity to privilege diverse voices, cultures, and contributions throughout the curriculum.

These are the #AASLchat questions followed by my tweets and comments.

Q1 Black History Month is in February, but why not celebrate all year? What are some practical ways librarians can differentiate instruction to support learners’ understanding of cultural relevancy and placement within the global learning community? #AASLchat

A1 Conducting #diversity audits, not only for the library collection but also for lessons and unit plans and programming, is essential. These sample resources span the content areas and grade levels. #AASLchat #Kidlit #MGlit #YAlit

Math and Science: Hidden Women: The African-American Mathematicians of NASA Who Helped America Win the Space Race (Encounter: Narrative Nonfiction Stories) by Rebecca Rissman (Capstone 2018).

History and Civic Education: Kamala Harris: Rooted in Justice by Nikki Grimes, illustrated by Laura Freeman (Atheneum 2020)

Music and Culture: R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul by Carole Boston Weatherford (Atheneum 2020) with stunning illustrations by Frank Morrison

Q2 Libraries share stories of people from all walks of life. What books do you share with students to celebrate diversity? #AASLchat

A2 American Indians’ experiences/contributions often left out of curriculum. Connect current events w/ #diverse resources. Ex: NM U.S. Rep. Debra Haaland, Pueblo woman & candidate 4 Secretary of Interior. What cultural values will she bring to this position? #AASLchat

Ancestor Approved: Intertribal Stories for Kids by Cynthia Leitch Smith (Heartdrum 2021)

Water Protectors by Carole Lindstrom, illustrated by Michaela Goade (Roaring Brook 2020)

Nibi Emosaawdang / The Water Walker (Ojibwa / English Edition) (Ojibwa) by Joanne Robertson, translators Shirley Williams and Isadore Toulouse (Second Story Press 2018)

Q3 Thinking ahead to March and Women’s History Month, let’s curate some resources to share with our students in the coming weeks. Identify a resource or two and how you might integrate it in your library program. #AASLchat

A3 Feature #OwnVoices of Black (& other) women during Women’s History Month. Ex: Make these connections w/social studies curriculum or biography/autobiography unit. Compare first-hand accounts w/textbook/informational book content. #AASLchat

Child of the Dream (Memoir of 1963) by Sharon Robinson (Scholastic 2020)

My Life with Rosie: A Bond Between Cousins by Angela Sadler Williamson and Chloe Helms (Kate Butler Books 2020)

Ruby Bridges: This Is Your Time by Ruby Bridges (Delacourt Press 2020)

An additional word or two about Ruby Bridges: This Is Your Time: This small book is a love and grace letter from Ruby Bridges to young children, in particular. On left-hand pages, Ms. Bridges begins the book with a paragraph or two about her six-year-old experience of integrating a White school in New Orleans (1960) and continues with how the commitment to civil rights has impacted her/our lives. Primary source black and white photographs on the right-hand pages illustrate her text. All are cited. I can imagine an elementary educator using each double page in this book as a discussion/writing prompt in and of itself. Powerful.

Thank you to Chelsea and the School Library Event Promotion Committee for organizing the 2/22/21 chat around questions that focus on how to expand our spotlights on Black History and Women’s History, not solely during the months of February and March respectively, but all year long. We appreciate you for publicizing and publishing the questions in advance so that participants can think about our responses and organize the resources we want to share.

Then we can truly listen and learn from one another during the chat!

See you there!

Work Cited

Moreillon, Judi. 2021. Core Values in School Librarianship: Responding with Commitment and Courage. Santa Barbara, CA: Libraries Unlimited.

Teaching and Re-Teaching Black History

Posted on February 8, 2021 by Judi Moreillon

Although I think spotlighting the people, literature, culture, and life experiences of specific groups has a place in our academic programs, I always hope that the “months” do not prevent us from addressing the diversity of human experience at every grade level in every content area throughout the school year.

For example, we know our history textbooks lack the perspectives and first-hand experiences of diverse voices–even when studying a historical event such as post-Civil War Reconstruction that should be centered on the lives of freed slaves. In these cases whenever they occur, it is up to librarians and other educators to engage students with primary sources and literature that share Black experiences and perspectives that are all too often missing in the textbook.

That said, and since I am no longer teaching, I have made Black History Month a time to deepen my own knowledge and understanding of Black history and culture. Last Friday on the PBS NewsHour, historian Dr. Daina Ramey Berry, who chairs the history department at the University of Texas at Austin, offered her “Brief but Spectacular Take on Understanding the Past to Live a Better Future.”

Dr. Berry is dedicated to rethinking the way we teach American history to all students. Her latest book, which she co-authored with Dr. Kali Gross. is titled A Black Women’s History of the United States (Beacon Press 2020). (I have requested the book from our public library; the following information is based on reviews.) The book includes diverse and complex voices from the first African women who arrived on the land that became the United States through to today’s Black women. The authors showcase enslaved women, freedwomen, religious leaders, artists, queer women, activists, and women who lived outside the law. Reviews indicate A Black Women’s History of the United States would be useful for high school as well as for adult readers.

Using Primary Source Documents to Teach and ReTeach History
Not only did I learn about their book in Dr. Berry’s Brief but Spectacular, I also learned about the Teaching Texas Slavery project. Dr. Berry serves as an advisor on the project. From the website: “The Teaching Texas Slavery Project seeks to help teachers rethink the teaching of slavery and race within the context of the K-12 Texas history curriculum… This project involves a two-part process for disseminating content and instruction on how to teach race and slavery. The first part offers an open-access website for using primary source documents on this topic. The second provides workshops on how to use the materials housed on the website. The overall goal is to transform the teaching of slavery and race across the K-12 social studies curriculum.”

The site includes:

Background information, maps from contact (1528) through Texas statehood (1865);
Concepts related to race and racism;
A pedagogical framework for studying race and racism; and
primary source records and documents (for students to study).

While the site is particularly valuable for educators teaching in Texas, the framework and documents could be used by educators in other parts of the country as well.

This work made a connection for me to a Guided Inquiry Design^®inquiry unit I developed for middle school students designed to be cotaught by school librarians and classroom teachers in Denton, Texas. Denton County Before, During, and After the Civil War (2014) focused on using primary source documents to interrogate history prompted by the Confederate monument that stood on the Denton town square until June, 2020).

Literature Connection
I would definitely invite students, educators, or anyone to begin any inquiry into Black history with Kwame Alexander and Kadir Nelson’s powerful, award-winning picturebook The Undefeated (Houghton Mifflin 2019). Framing teaching and re-teaching Black history in the United States in terms of the strength, perseverance, and resilience of Black people can help all students begin to understand the past and start to appreciate how far our country has come and how far we have yet to go in actualizing “liberty and justice for all.”

Reference

Kuhlthau, Carol C., Leslie K. Maniotes, and Ann K. Caspari. (2012). Guided Inquiry Design: A Framework for Inquiry in Your School. Santa Barbara, CA: Libraries Unlimited.

Latinx Kidlit Book Festival, Part 2

Posted on December 14, 2020 by Judi Moreillon

The 2020 Latinx Kidlit Book Festival was officially held last Friday, December 4^th and Saturday, December 5^th. I took advantage of the fact that all of the #LKBF2020 video sessions are available on YouTube and will continue to be available indefinitely.

This past week, I viewed three more sessions: Picture Books in the Age of Activism, Elizabeth Acevedo in Conversation with NCTE President Alfredo Celedón Luján, and Frontera Lands: Immigrant Stories About the US-Mexico Border.

Below are my thoughts and connections to the panelists who spoke during these three sessions.

Picture Books in the Age of Activism
As a picturebook author, reader, and social justice activist, the title of this session jumped off the screen. Although I no longer collect books for a school library, I have a home collection that is now geared more and more toward the early childhood and future young child reading of my grandchildren.

This panel included authors Diana López (Lucky Luna), who also moderated the session, Jackie Azúa Kramer (The Boy and the Gorilla), Eric Velasquez (Octopus Stew), Silvia López (Queen of Tejano Music: Selena), and Magdalena Mora (Equality’s Call). In their session, these authors shared connections between their picture books and supporting young people as they build empathy and strive for social justice as change agents of change in kids.

By way of introduction, moderator Diana López mentioned student activists who protested in Tucson against the ban on Mexican-American Ethnic Studies, including the resources that were used in the program (see the PBS documentary Precious Knowledge).

During the session, each panelist shared how social justice inspires or frames their books (paraphrases). Jackie Azúa Kramer noted that activism starts with a question and invites us to respond with empathy and compassion. Jackie held up an article published last fall in the Washington Post that testifies to the fact that young people activists “12 Kids Who Are Changing Their Communities and Our World.”

Eric Velasquez talked about is Afro-Latino heritage and how his first book Grandma’s Records (2004) was a breakthrough picturebook of validation for children who had not previously seen themselves in print. Eric’s goal is to “subversively” bring social justice messages to readers of his books.

Silvia López, a former librarian, talked about librarians are agents of change who serve as change agents through promoting diverse tools, A refugee from Cuba, Silvia wants her books to increase readers’ consciousness of injustice and to illustrate how injustice shapes lives.

Illustrator Magdalena Mora noted her book Equity’s Call, written by Deborah Diesen, spotlights who voting rights leaders spread enfranchisement to non-White male voters and includes the fact that more work is still to be done to eliminate voter suppression.

Elizabeth Acevedo in Conversation with NCTE President Alfredo Celedón Luján
Moderator Alfredo Celedón Luján, President of The National Council of Teachers of English. Luján, and dean of students and teacher of English and study skills at Monte del Sol Charter School in Santa Fe, New Mexico, introduced Elizabeth Acevedo and her award-winning books: The Poet X, With the Fire on High, and Clap When You Land. Then Elizabeth launched the session by performing one of her poems.

For the remainder of the session, Elizabeth responded to kids’ questions. In the process, she shared bits of her growing up in Morningside Heights, a section of New York City, and how she recognized herself as a poet at the age of ten. She entered her first poetry slam contest at fourteen and experienced how other kids’ poems affected her. “A poem can be carried in the body even when it wasn’t your own (poem).”

Her comments about craft were inspiring for all writers—young and more seasoned. She noted that poems seem to arise organically; poetry is personal. Prose, on the other hand, requires authors to show up for the characters so the characters can tell their story. When asked about writer’s block, Elizabeth shared that she doesn’t believe in it. Rather she has given herself permission to jump ahead in the story or pick up another project for a while… but to never stop writing. (Great advice!)

The showed a video at the end of the session that took viewers backstage to see Elizabeth’s home and family and community connections to her books. If you only have a short time, enjoy her poem at the beginning and the video at the end of this session.

Frontera Lands: Immigrant Stories About the US-Mexico Border
The US-Mexico Border is sixty miles from our home. Immigrant and southern U.S. border stories are essential reading for the youth in Arizona, their families and communities. The panel members for this session were Yuyi Morales (Dreamers), Francisco Stork (Illegal), Alexandra Diaz (Santiago’s Road Home), and Reyna Grande (The Distance Between Us). Author Aida Salazar (Land of Cranes and The Moon Within) founding member of Las Musas Books moderated this conversation about experiences and issues related to the borderland regions of the U.S. and Mexico.

The following comments by the panelists were the most noteworthy to me.

Yuyi Morales said immigration is an “act of love.” In her books, she wants readers to see people and animals as beautiful beings who can us learn and grow. Readers should come away from her books encouraged to care for others.

Francisco Stork, who suffered feelings of inferiority as a nine-year-old immigrant, wants his readers to find heroism in the acts of characters who overcome all obstacles when confronted with evil.

In her work, Alexandra Diaz hopes readers will increase their understanding of the immigrant experience—an experience that is a valued and valuable part of who she is. She hopes that understanding will extend to immigrants all across the globe.

Reyna Grande noted that we, as a country, haven’t yet learned to celebrate immigrants and the immigrant experience. She wants to educate readers about that experience while authoring human stories with universal themes of pursing dreams with hope.

For me, Yuyi’s comment sums up my take-away from this session. “Books can be an invitation to every child to tell their own story.” Immigrant/immigration stories celebrate voices “that have not yet been heard.”

Promoting Latinx Authors and Illustrators
I think this bears repeating from last week’s post.

For the thirty-plus years I have been involved in the library and larger education worlds, we have been asking publishers for more diverse books for the children, teens, and families we serve. The underrepresentation of Latinx authors and illustrators has been alarming as the Latinx student population in our schools and country continue to grow at a faster rate than some other demographic groups.

This festival demonstrates that Latinx book creators come from a wide range of cultures and countries. They remind us that there is no monolithic “Latinx” or “Hispanic” experience and that all voices are needed and welcome in order to represent and best serve readers.

Note: As I was listening, I looked up all of the authors and illustrators most recent books in our public library catalogue, requested the ones I could find, and suggested purchases of the others.

Thank you to the #LKBF2020 sponsors for supporting these authors and illustrators. Let’s do our best as librarians to get these books into the hands of all young people and particularly those whose life experiences appear less often in children’s and young adult literature.

It’s a matter of equity and social justice.

Image Credit
Latinx Kidlit Book Festival Logo

Latinx Kidlit Book Festival Recap

Posted on December 7, 2020 by Judi Moreillon

The 2020 Latinx Kidlit Book Festival was officially held last Friday, December 4^th and Saturday, December 5^th. However, all of the #LKBF2020 video sessions are available on YouTube and will continue to be available indefinitely. Thank you to the festival organizers and sponsors!

The videos are organized by topics that will appeal to youth, educators, librarians, and readers of all ages. These are the sessions I have viewed so far: Español, Spanglish or Bilingual: The Use of Spanish in Latinx Kidlit; No Words: Storytelling Through Pictures; Magical Realism and Beyond; and Stronger Together: Social Justice in Young Adult Literature.

All of the sessions I’ve viewed have ended with questions submitted from young people. I appreciate this reader-centered addition to a virtual literature conference.

Español, Spanglish or Bilingual: The Use of Spanish in Latinx Kidlit

This is an important session for all librarians in terms of cultural insider perspectives on bilingual and single-language books for children and teens. These were the guiding questions for the session: Is there a “universal” Spanish? Is there an audience in the USA for Spanish-only books published in America? When does blending Spanish and English work? Is it ever hindering or confusing? What about italics for Spanish in an English text? Is there a time that is best to do dual versions, rather than having a bilingual book?

Author and educator Monica Brown (Lola Levine Is Not Mean) moderated the panel and contributed many insights from her professional and personal experience. Monica, whose mother was born in Peru, shared her connections to Peruvian culture, history, and language. She talked about working collaboratively with translators because her own Spanish is not quite proficient enough to support her writing in both languages. (The country/culture of origin of Spanish language translators is an important conversation for the future.)

Lulu Delacre (Luci Soars) is originally from Puerto Rico and has been writing in both English and Spanish for many years; she is also an illustrator. Lulu noted that when both languages are included side by side in a picturebook, it equalizes Spanish language and creates opportunities for speakers/readers of both languages to share the text.

René Colato Laínez (Telegramas) who came to the U.S. from El Salvador in 1985 talked about his experience as an immigrant without papers and how crossing borders influences his writing. He is also an educator of young children and considers their social-emotional needs in his books.

Mariana Llanos (Eunice and Kate) who was born in Peru shared the critical importance of bilingualism in her work and life. She noted that some adults who don’t speak a second language shy away from purchasing bilingual books because they can only read one of the languages in the book.

Natalia Sylvester (Running) who was also born in Peru associates Spanish language with “home” because her mother only allowed Spanish to be spoken in their U.S. home. Natalia talked about how there are commonalities among Spanish speakers and also how the language is different for each country or cultural group. She uses Spanglish in her young adult book because code switching captures the feelings of the characters and accurately represents the way people living in dual cultures talk. She wants to make readers feel “at home” in her books and in the beauty of language.

I learned from their discussion that there is no one opinion about whether or not to italicize non-English words and phrases in their books.

No Words: Storytelling Through Pictures
I was able to attend this session live. Wow! This group of illustrators had such fun sharing their work, their favorite art-making tools, and their illustration processes: Juana Medina (Juana & Lucas), Raúl the Third (Lowriders), Axur Eneas (Student Ambassador: The Missing Dragon), Carlos Aponte (Across the Bay) and Adriana Hernandez Bergstrom (Abuelita and I Make Flan).

Readers are lucky to have their creativity and expertise in making visual media to tell stories.

I especially loved the portion of this session where the moderator Adriana Hernandez Bergstrom read thoughtful questions kids submitted for these illustrators. Thank you to the children for their questions and the illustrators for their personal and often humorous responses!

Magical Realism and Beyond
In my reading of adult books, I have connected to magical realism, particularly in the works of Isabel Allende, Gabriel García Márquez, and Toni Morrison. This session attracted me because I am not as familiar with this literary style in books for children and young adults. Michelle Ruiz Keil (All of Us with Wings) moderated this session with Samantha Mabry (Tigers, Not Daughters), Guadalupe Garcia McCall (Shame the Stars), Daniel José Older (Shadowshaper Legacy), and Julio Anta (Frontera).

One thing I appreciated in this conversation was the distinction the authors made between magical realism and the supernatural. Their connections to family experiences of magical realism are not supernatural but rather the magic of “what is” (real). I resonate with that feeling and belief and look forward to reading the works of these authors.

Stronger Together: Social Justice in Young Adult Literature
Social justice and societal change in YA lit is a timely topic. This session was moderated by author and educator Jennifer De Leon (Don’t Ask Me When I’m From). The panel included Yamile Saied Méndez (Furia), Lilliam Rivera (Never Look Back), Lucas Rocha (Where We Go From Here), and Jenny Torres Sanchez (We Are Not From Here). Each author shared their inspirations for writing their most recent book.

One commonality among the intentions of these authors is to show the humanity of individuals and their struggles and to provide readers hope. As moderator-author Jenn De Leon noted, these authors dive deep into broad societal issues. They create stories that bring the power of being inside individual characters’ experiences to consider and wrestle with universal themes, feelings, hopes, and dreams – and to take action.

Promoting Latinx Authors and Illustrators
For the thirty-plus years I have been involved in the library and larger education worlds, we have been asking publishers for more diverse books for the children, teens, and families we serve. The underrepresentation of Latinx authors and illustrators has been alarming as the Latinx student population in our schools and country continue to grow at a faster rate than some other demographic groups.

The participants in the festival give those of us who share Latinx literature with young people hope that the future of publishing is bright for them–our readers and these authors and illustrators.

Note: As I was listening, I looked up all of the authors’ and illustrators’ most recent books in our public library catalogue, requested the ones I could find, and suggested purchases of the others.

Thank you to the #LKBF2020 sponsors for supporting and promoting the work of these authors and illustrators. Let’s do our best as librarians to get their books into the hands of all young people and particularly to our youth whose life experiences appear less often in children’s and young adult literature.

It’s a matter of equity and social justice.

Image Credit
Latinx KidLit Book Festival Logo

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